A look inside an elaborate home in the prestigious Benguela Cove estate on the Bot River Lagoon in the Overberg.
The setting for this house within Benguela Cove Lagoon Wine Estate, on the Botrivier Lagoon south-east of Cape Town, is spectacular – a slope of indigenous fynbos vegetation runs into the broad waters of a tidal estuary bordered by mountains. The considered architectural design by SAOTA and Interiors by ARRCC of this holiday house is the inherent paradox of such exposure to nature – how to shackle the extreme elements – sun, salt, rain and winds – while allowing the exceptional natural beauty of the site to pervade every space.
Seen from the lagoon the result is a memorable composition. Such an unusual form could feel out of place without its references to the distinct local typologies of barns and fruit-packing sheds. Timber sidings appear at the entrance and are repeated on key ceiling planes, and the roofs are a celebration of corrugated aluminium, the over-sailing arms of the “C” shaped layout are a reinterpretation of the traditional “alphabetic” planning of the wings or “werfs” of historic local farms.
The owner’s vision for a comfortable retreat for his children coupled with liveable outdoor spaces for entertaining was developed into a “C” shaped plan whose wings serve to maximise the outlook, frame views and create a large sheltered courtyard. This distinctive sheltering shape is again expressed in the wrapped floor-wall-roof profile of the three wings which, assembled together one above the other, track the site as it slopes towards the water. The interior design by ARRCC captures the minimalist sensibility of the architecture.
Entrance at the back of the building is deliberately understated; a modest canopy shelters the front door opening onto a landing from which a broad spine gently traces down the natural gradient alongside a generous garden courtyard. The corridor ends at the kitchen; the island – a solid block of granite – forms a fulcrum with the principle living areas placed at right angles, parallel with the lagoon. The kitchen looks out over open-plan dining and lounge areas towards a fireplace and picture window framed in a massive concrete hearth wall.
Occasional elements contrast raw materials with more refined details – the kitchen island – formed from rough solid blocks of granite – is highly polished on its counter.
The flues are clad in carefully pre-weathered Cor-Ten steel.
Throughout the house loose furnishings selected by ARRCC, generally sourced from local manufacturer OKHA, provide a warm and luxurious counterpoint to the architecture.
OKHA’s signature fine wool and bamboo silk Diamond Rug which takes its inspiration from geometry and rock formations complement the granite floors of the living room. Seating is provided by an impromptu collection of OKHA’s luxurious L-shaped Jada sofa, solid oak frame Miles armchair and Nicci armchair in an olive-green leather finish. To anchor the collection the Capri Coffee table in Volakas White marble was chosen to resonate with the geological surrounds. Occasional leather poufs add a casual flair to the layout.
The internal living wing is held between the garden courtyard and covered decks leading out to a pool which appears to blend into the lagoon beyond. The slope of the distinctive timber clad soffit was carefully calibrated to provide shelter from the prevailing wind. It extends out from the lounge to create an external living room and outdoor kitchen which are further enclosed by movable screens.
The dining area boasts OKHA’s Bison dining table which can easily accommodate up to 10 people. The Bison’s solid oak table top forges a hand-in-glove narrative with the ceiling’s beautiful timber sidings.
The stairs rise alongside a CNC-cut timber screen.
The two upstairs bedrooms come with elevated views across the lagoon to the mountains. Overlooking the deck OKHA’s signature swivel STM armchair provides the viewer with a 360-degree view of the estuary and interior.
The edited approach to the interior places emphasis on the use of the architectural materials such as concrete and granite.
Nature pervades the house –the seamless flow of internal floors and ceilings out into external living spaces is mirrored by the fynbos planting which stalks the edges of the internal envelope, enfolds the terraces and decks and seeps into the garden courtyard.
Interior Design: ARRCC
Project Team: Mark Rielly; Sarika Jacobs
Project Photographer: Adam Letch